In today’s multicultural societies, museums have experienced significant changes as they have progressively shifted towards a more ethical and comprehensive representation of their various communities. Particularly, the legacy of colonialism and colonisation has triggered a new understanding of museums’ roles and practices around the world, with regards to the many peoples who were once subject to the harmful control of empires – and who still face today the long-term consequences of this historical process.
In many African and Asian countries for example, such Zimbabwe (Chipangura, 2020) or Taiwan (Ciou & Wang, 2023), museums have redefined their purposes by engaging communities to curate their own traditions in an attempt to revert the outdated lens which used to objectify them through the eye of the colonisers. In Western societies, on the other hand, the decolonial movement found echoes within many marginalized collectives, such as grassroot organisations, feminist and
The approach fosters a sense of ownership as it empowers communities to shape exhibitions in their own terms and take control over their narratives. Museums become a forum and platform for social change when they open their doors to underrepresented actors and offer them the space to share multiple, parallel, and sometimes conflicting perspectives. In this regard, an association of museums in the English county of Cornwall (Goskar, 2019) sought the opportunity to experiment with social democracy by launching a curatorial training course, turning volunteers into museum professionals while they actively engaged through a series of co-production and co-creation activities. Shared decision-making and mutual learning opportunities appear to be key when it comes to cultural heritage, social and public history, allowing museums to address gaps and challenge stereotypes as they work towards a more inclusive, cohesive and equitable society.
Inclusivity and participation in museums can finally be enhanced by another facet of our modern times: technical innovation and the increasingly upscaling transformation of our environment with digital tools. Virtual reality (VR) and augmented reality (AR) technologies have long made their ways into museum spaces, challenging barriers to physical participation when collections and exhibitions can be browsed from mobile devices. Visitors can easily enjoy immersive journeys or digital storytelling that amplify works of art and turn them into entire worlds of their own.

Tribe members engaging in co-creative activities around their cultural heritage.
More so, digitally enabled dialogue and public engagement strategies largely benefit from social media platforms and a various range of web applications (Arrigoni & Galani, 2019), putting museums at the centre of this new “phygital” experience of cultural heritage – when the physical and digital realms are seamlessly intertwined. As museums embrace technology to enhance accessibility and engagement, physical spaces remain essential for tangible connections.
It is in this evolving landscape and at the crossroad of these multifaceted challenges that the ExhiBIT project intends to span its activities and offer opportunities to its many stakeholders. Stay tuned for more!
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ExhiBIT Instagram: https://www.instagram.com/exhibit.project
Resources:
Gabi Arrigoni & Areti Galani, 2019. “Digitally enhanced polyvocality and reflective spaces: Challenges in sustaining dialogue in museums through digital technologies”. In Galani, A., Mason, R. & Arrigoni, G. (eds.), European Heritage, Dialogue and Digital Practices, London and New York: Routledge, p. 37-61, https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9780429053511-3/digitally-enhanced-polyvocality-reflective-spaces-gabi-arrigoni-areti-galani [accessed 04/04/2024].
Njabulo Chipangura, 2020. “Co-curation and New Museology in Reorganizing the Beit Gallery at the Mutare Museum, Eastern Zimbabwe.” Curator: The Museum Journal, vol. 63, no. 3, July 2020, p. 431-446, https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.12375 [accessed 04/04/2024].
Jian-Wei Ciou & Hsiao-Chiang Wang, 2023. “The Power of Co-curation: The Kamcing Tribe and the National Museum of Prehistory.” ICOM, April 28, 2023, https://icom.museum/en/news/the-power-of-co-curation-the-kamcing-tribe-and-the-national-museum-of-prehistory/?fbclid=IwAR387fdXTArrX4CvKXUUJ9qkhRlNuT84_C7jZL6dIL69-mIGis_mV6xbsEk [accessed 04/04/2024].
Tehmina Goskar, 2019. “Citizen Curators: An Experiment in Cultural Democracy and Alternative Pathways.” Museum-iD, vol. 24, p. 54–63, https://museum-id.com/citizen-curators-an-experiment-in-cultural-democracy [accessed 04/04/2024].